The content they keep
Photos, video and a finished reel, licensed for their site, their socials and their booking listings. It replaces a shoot that costs them four figures. No audience needed for this half.
Hotels pay for two things: content they can keep and reuse, and an audience that trusts where you stay. Bring either. Bring both. We'll find the properties, find the right person, write the pitch, chase the reply and keep track of what you owe.
13 lessons · every template · no follower minimum · no email required
3 nights hosted, breakfast included.
Questroo found the marketing manager, drafted the pitch, countered their 2-night offer. You pressed approve twice.
Both sides of what you offer
Photos, video and a finished reel, licensed for their site, their socials and their booking listings. It replaces a shoot that costs them four figures. No audience needed for this half.
People who ask you where you stayed. Every direct booking you send saves them the 15–25% they'd hand a booking platform. If you have reach, it's worth money — price it, don't apologise for it.
Most of us have one and are building the other. The method tells you which to lead with · lesson 2
The part nobody enjoys
We keep hearing the same four sentences from people who have tried this for a season.
Most were never read by anyone who could say yes. They landed in a reception inbox and got filtered by someone with no authority to decide.
So you pitch at random, mostly into peak season, mostly to chains with a form. Half of them were never going to answer — and you can tell which half from outside.
Twenty minutes on Instagram, then the website, then LinkedIn, then you give up and email info@ — which is about the same as not sending it.
A template is a starting point, not the work. The work is forty personalised versions, sent in the right week, followed up twice, with somebody keeping score.
What makes this different
Courses, template packs and hotel directories all stop in the same place — they hand you something and wish you luck. The knowledge was never the bottleneck.
| What’s out there | What you get | What you’re still doing at 11pm |
|---|---|---|
| Courses and mentorships | Video lessons, a community, sometimes a call | All of it — every property, every contact, every email |
| Template and guide packs | A pitch email and a media-kit layout | Finding who to send it to, and sending it forty times |
| Hotel lists and directories | A spreadsheet that starts decaying the day you buy it | Checking which entries are still true, then everything after |
| Collab marketplaces | A match, if you clear their follower bar | The pitch, the negotiation, the shoot brief, the delivery |
| Questroo | The full methodology, free — and a workspace that runs it | Reading four drafts and pressing approve |
The hard question was never “what should I say”. It was who, where, when, and who's keeping track. That's the bit we do.
The argument you make to them
A property has to keep making pictures or it stops selling rooms, and it has to keep buying attention or nobody finds it. You take something off both bills. That's the whole pitch — and it's why someone with 900 followers and someone with 30,000 can both be well worth saying yes to.
Typical mid-range European property. The hosted stay is valued at the marginal cost of an unsold room, not the rate card.
16×
value returned on their real cost
3 yrs
a good image stays in rotation
1.5 days
of your professional time
Every guest who books direct because of you is a guest they did not have to buy — from a booking platform, or from an ad auction.
Which is why reach is worth real money — it just isn’t the entry ticket. If you have it, price it. If you don’t, sell the content and build it.
The distinction that decides it
A hotel cannot publish a mountain. It can publish a guest having coffee on a balcony that overlooks one. Every asset has to survive a single question in a marketing manager’s head: would this make a stranger book a room?
Lesson 4, free
The link every pitch ends with
Everyone else sells you a media-kit template. We give you a real page at a link you choose, and then keep it up to date for you.
Amina Zahra
Hospitality content for boutique hotels · Lisbon
I shoot rooms, food and the feeling of staying somewhere — photos and video properties keep and reuse across their own channels.
“Easy to work with, delivered early, and we’re still using the photos a year later.”
Marketing manager · Casa Aurelia
Worked with
How it works
You give it a city and a month. It works through the five stages below and stops every time a human should be deciding.
Properties in your destination, scored on the signals that predict a yes.
The marketing contact, and the channel most likely to get a reply.
A personalised draft per property, leading with whichever value is yours.
Follow-ups on schedule, objections classified, every offer versioned.
What you promised, what you sent, the testimonial, the next season.
No follower minimum
Bring a camera, an audience, or both
2–3 months ahead
Timed to their low season, not yours
2 follow-ups
Most yeses arrive on the second
Drafted in batches
Six at a time, or name a bigger number
The part we actually solve
So we do it. Questroo runs the methodology as its default behaviour, with your limits enforced and your approval required. Nothing goes out that you haven’t read.
Give it a destination and a month. It researches, scores the signals from lesson 7, and shortlists.
One personalised opening per property, your template untouched underneath. Nothing sends without you.
To: marketing@casa-aurelia.test
“I’ve been following Casa Aurelia for a while — the courtyard in the late afternoon is exactly the kind of light I like to shoot…”
Two follow-ups, on the right days, prepared for you. Silence stops being a dead end.
The five objections from lesson 10, classified on arrival, with a counter drafted from your own position — and every offer kept as a numbered version, so “what did they agree to” is a record rather than a memory.
Objection detected · one night
“Thank you — one night is below my minimum, because a single evening gives you one light condition. Two nights doubles the usable variety in the set…”
Offer v2 · drafted · awaiting your approval
Promised versus delivered, per collaboration.
Email, Instagram and WhatsApp · your approval on every message · your hard limits enforced
Thirteen lessons, every script, every objection, the shot list and the delivery structure. No account, no email capture, nothing held back for a paid tier.
Read it and do the whole thing by hand if you like — plenty of people will, and it works. We’re betting that around the fortieth time, you’d rather we did it.
From creators using the method
“I had pitched thirty hotels and heard nothing. The problem was that I was emailing reception. Two weeks after Questroo started finding the marketing contact for me, I had three yeses.”
Lina“The part that changed everything was pricing the work in my own head first. When they offered a discounted rate I finally had a calm answer instead of just feeling awkward about it.”
Tomás“My reach was never the problem. Putting the list of files first and the audience second just made it far easier for them to say yes — nobody had to go and ask anyone.”
MaraPricing
Read all of it, do it by hand, never pay us anything. Or hand over the evenings.
The Method
Free for a limited time
Questroo Pro
Cancel whenever. One hosted stay covers a year.
Lifetime
Save $1,000 · one payment
Introductory pricing while we are still small. The methodology stays free for the launch period regardless.
Questions
No. A property with a thin content library mostly cares whether you can make pictures it’s allowed to publish, and people under 1,000 followers land stays on that basis all the time. If you do have an audience, that’s a second thing worth paying for. The method covers how to price and present both.
Both. They’re two real jobs, and the difference matters less than people make out. One sells content the hotel keeps; the other sells that plus the bookings an audience drives. The pitch structure is identical — only which half you put first changes, and Questroo writes it either way.
Lesson 5. You don’t need permission to build proof — a weekend, a small local property and a deliberate shot list give you a portfolio that answers the question hotels are actually asking.
It is genuinely all of it: thirteen lessons, every script, the objection replies, the shot list, the delivery structure. No account, no email gate. It is normally $99 and it will be again after the launch period.
The work. Finding properties that are open to creators, finding the marketing contact, personalising forty pitches, sending them in the right week, following up twice, spotting the objection in a reply, keeping every version of every offer, and tracking what you owe after the stay. That’s the bottleneck, and it’s what Pro takes off you.
Only ones you’ve read and approved. Every draft — pitch, follow-up, counter-offer — waits for you. A made-up detail about a property costs you that property, so you stay in the loop by design.
Directories stop at the match, which is the easy part. Most of the work is finding the contact, pitching, following up, negotiating, shooting to a brief, delivering, and staying in touch afterwards. That whole stretch is what we run.
No. Questroo gives you a portfolio page at a link you pick — your work, your bio, your contact details, the properties you’ve worked with and the testimonials they sent back. Publish it and every pitch ends with it automatically. If you already have a site you love, use that instead; the assistant will link whatever you tell it to.
Monthly is month to month, cancel any time, no negotiation. Lifetime is a single payment with no renewal.